The Saffronart team on events you shouldn’t be missing this month in Mumbai, Delhi, London and New York, beginning with…
Mumbai
Chitra Ganesh’s “Reclining Figure”, rendered on the walls of Lakeeren Gallery as part of Drawing from the Present, a site-based project
Source: Lakeeren Art Gallery
Esther Brinkmann: “Renewable Pleasures: The India Chapter”
Where: Gallery Chemould, Fort, Mumbai
On View Till: August 23, 2014
Esther Brinkmann is an acclaimed Swiss jewellery designer who has been living in India for the past four years. Inspired by her residency in the nation, this exhibition will feature unique, handmade neckpieces, brooches and rings that pay particular attention to techniques of engraving and enameling that developed in ancient India.
Lalu Prasad Shaw: “Solitary Spaces”
Where: Art Musings, Colaba, Mumbai
On View Until: August 31, 2014
Bengali artist and printmaker Lalu Prasad Shaw is notable for work influenced by the pre-independence Company School of art, Ajanta cave and traditional Kalighat Pat paintings. His talent lies in translating these influences along with scenes from his own life onto canvases. This solo exhibition at Art Musings features works that explore ways to create quiet and solitary meditations on paintings.
Chitra Ganesh: “Drawing from the Present”
Where: Lakeeren Art Gallery, Mumbai
On View Till: September 30, 2014
Artist Chitra Ganesh has transformed the interiors of Lakeeren Gallery in Colaba with her illustrations and paintings, pulsating with stories. Known for her comic-inspired illustrations infused with mythological references, Ganesh’s works are layered with questions. In this exhibition, she continues to explore sci-fi, mythology and time travel. If you missed watching the artist at work, drop by Lakeeren to decode her paintings.
And if you’re hoping for a glimpse into her wide-ranging inspirations, here’s an interview by Art Radar.
Delhi
Gipin Varghese, “Lifetimes”, Watercolour on paper
81″ x 16″ (Each), 2013 from the exhibition Lifetimes at Vadehra Art Gallery.
Source: Vadehra Art Gallery
Aditya Pande: “H&M”
Where: Nature Morte, Delhi
On View Till: September 6, 2014
Known for his signature style that involves the use of vector-based software to create lines, Delhi based artist Aditya Pande will be showcasing a solo exhibition that continues his style of exploring boundaries through vector lines and other mediums and subjects. The title of the show, ‘H & M,’ an abbreviation for Harappa and Mohenjodaro, is indicative of Pande’s fascination with artifacts found at these sites. The exhibition will be unique in its steering away from a white box gallery atmosphere, making the space more interactive.
Nayanaa Kanodia: “The Great Outdoors”
Where: Art Alive Gallery, Delhi
On View Till: August 20, 2014
Self-taught artist Nayanaa Kanodia has achieved international acclaim since her first solo exhibition in 1986. Her recent works, featuring in this show, draw inspiration from nature. She carefully examines man’s relationship with the natural outdoor environment depicting themes such as innocence and peacefulness. Kanodia explains, “My paintings are varying angles of a single prism. At first glance, you see a humored portrayal of a quaint scene; upon further examination, an integrated, multi-layered expression reveals itself.”
Gipin Varghese: “Lifetimes”
Where: Vadehra Art Gallery, New Delhi
On View Till: September 6, 2014
Having successfully participated in several group shows, this is artist Gipin Varghese’s first solo exhibition that will present the work he has made over the last two years. Varghese re-examines contemporary issues, media, violence, and struggles faced in rural India. Through his socially conscious works he uses art to pay tribute to victims, and ordinary people who face struggles, by immortalising their stories. His works focus on figures, expressions and postures that we may otherwise shy away from, to also provoke viewers to consider social realities. Not only should this exhibition give you a new perspective to look at issues faced in India, but also gives you the chance to get acquainted with an emerging artist.
London
‘Stalwarts from the East’: A French lady pins a flower on the Sikh saviours of France, Paris, 1916. From the Toor Collection. Part of the exhibition Empire, Faith and War: The Sikhs and World War One
Source: https://www.soas.ac.uk/gallery/efw/
Kalpana Shah, Ravi Mandlik, Anwar, Brinda Miller, Nupur Kundu, Aisha Caan, JayShree Kapoor, Christina Pierce: “Indian Summer”
Where: Albemarle Gallery, London
On View Till: August 23, 2014
This exhibition features prominent contemporary artists who have achieved acclaim in India and abroad. The exhibit is presented by Arts for India; a charity that supports the Delhi based International Institute of Fine Arts (IIFA), which is one of the few private sector providers of an art education in India. Attending this exhibition is likely to expose you to works by artists from India, as well as those who have been influenced by Indian art and culture. Simultaneously, you can also show your support for the development of art education in India, by attending this show.
Pradeep Puthoor: “The Art of Pradeep Puthoor”
Where: Everyman Cinema, Belsize Park
On View Till: September 2, 2014
Pradeep Puthoor is a Kerala-based contemporary artist who is beginning to achieve world-wide acclaim for the fantastical worlds he creates in his works through his creative and illustrative skills. This exhibition of his paper works is organized by the Noble Sage Gallery, at the Everyman Cinema in Belsize Park. This is a show that is guaranteed to satisfy art enthusiasts and collectors. Visiting this exhibit can easily be combined with watching a film at the Everyman Cinema, or paying a visit to the permanent collection at the Noble Sage Gallery, next door.
Empire, Faith and War: The Sikhs and World War One
Where: The Brunei Gallery, SOAS
On View Till: September 28, 2014
This exhibition features a carefully curated selection of unique and rare photographs, drawings, newspaper articles, comics, postcards, uniforms, gallantry medals, art works, as well as folk songs that commemorate the contribution of Sikh soldiers in the Great War. The exhibition, organized by the UK Punjab Heritage foundation, also features an album of X-Rays of injuries of wounded Indian soldiers lent by Her Majesty The Queen from the Royal Collection. This exhibition is definitely worth a visit, to gain a sense of Sikh history and culture, particularly with respect to colonial and war periods.
New York
City as subject/matter: Belfast, Hong Kong, New Delhi, New York, Tel Aviv, Tirana and beyond
Where: New York (Click here for multiple venues)
On View Till: August 26, 2014
Curated by Marco Antonini in collaboration with Catalyst Arts, Hila Cohen-Schneiderman, Khoj International Artists’ Association, Eriola Pira and Magdalen Wong, this group exhibition features artists Seher Shah, Vibha Galhotra and Gigi Scaria among others. It is presented as a series of four consecutive exhibitions hosted by NURTUREart, Mixed Greens, Invisible Exports and Unions Docs. Multiplicity is an international survey of artworks sharing an interest in the politics and poetic potential of contemporary urban environments. The works address the myriad public and private rituals of the city, mining its institutional and vernacular histories while re-imagining its formal and functional aspects.
Readymade | Contemporary Art from Bangladesh
Where: Aicon Gallery, New York
On View Till: September 6, 2014
Aicon gallery presents the first ever extensive survey exhibition of contemporary Bangladeshi art held in New York. The exhibition features nine artists collectively exploring the complex and interlocking cultural, political, economic and environmental issues currently facing the often paradoxical and rapidly changing society and state of Bangladesh. The featured artists include Kazi Salahuddin Ahmed, Masum Chisty, Khaled Hasan, Imran Hossain Piplu, Promotesh Das Pulak, Dhali Al Mamoon, Yasmin Jahan Nupur, Mohammad Wahiduzzaman and Wakilur Rahman. The work in this exhibition unpacks these issues through the concept of the readymade, both in its art historical context, and as a term referring to Bangladesh’s massive and unwieldy ready-to-wear garment industry.
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